GioCities

blogs by Gio

Tagged: rhetoric

āš– The ambiguous "use"

I keep seeing people make this error, especially in social media discourse. Somebody wants to ā€œuseā€ something. Except obviously, itā€™s not theirs, and so itā€™s absurd for them to make that demand, right?

Quick examplesĀ§

Iā€™m not trying to pick on this person at all: theyā€™re not a twitter main character, theyā€™re not expressing an unusual opinion here, they seem completely nice and cool. But I think this cartoon they drew does a good job of capturing this sort of argument-interaction, which Iā€™ve seen a lot:

Iā€™ve also seen the exact inverse of this: people getting upset at artists because once the work is ā€œout thereā€ anyone should be able to ā€œuseā€ it. (But I donā€™t have a cartoon of this.)

There is an extremely specific error being made in both cases here, and if you can learn to spot it, you can save yourself some grief. What misuse is being objected to? What are the rights to ā€œcertain thingsā€ being claimed?

The problem is that ā€œuseā€ is an extremely ambiguous word that can mean anything from ā€œstudyā€ to ā€œpirateā€ to ā€œcopy and resellā€. It can also cover particularly sensitive cases, like creating pornography or editing it to make a political argument.

webcomicname: beliefs you do not agree with

But everything people do is ā€œusingā€ something. By itself, ā€œuseā€ is not a meaningful category or designation. Say you buy a song ā€” listening to it, sampling it, sharing it, performing it, discussing it, and using it in a video are all ā€œusesā€, but the conversations about whether each is appropriate or not are extremely distinct. If you have an objection, it matters a lot what specific use youā€™re talking about.

But if youā€™re not specific, there are unlimited combinations of ā€œusesā€ you could be talking about, and you could mean any of them. And when people respond, they could be responding to any of those interpretations. Thereā€™s no coherent argument in any sweeping statement about ā€œuseā€; the only things being communicated are frustration and a team-sports-style siding with either ā€œartistsā€ or ā€œconsumersā€ (which is a terrible distinction to make!).

Formal logicĀ§

This is not a new problem. This is the Fallacy of Equivocation, which is a subcategory of Fallacies of Ambiguity. This is when a word (in this case, ā€œuseā€) has more than one meaning, and an argument uses the word in such a way that the entire position and its validity hinge on which definition the reader assumes.

The example of this that always comes to my mind first is ā€œrespectā€, because this one tumblr post from 2015 said it so well:

flyingpurplepizzaeater Sometimes people use ā€œrespectā€ to mean ā€œtreating someone like a personā€ and sometimes they use ā€œrespectā€ to mean ā€œtreating someone like an authorityā€

and sometimes people who are used to being treated like an authority say ā€œif you wonā€™t respect me I wonā€™t respect youā€ and they mean ā€œif you wonā€™t treat me like an authority I wonā€™t treat you like a personā€

and they think theyā€™re being fair but they arenā€™t, and itā€™s not okay.

See, here the ā€œargumentā€ relies on implying a false symmetry between two clauses that use the same word but with totally different meanings. And, in disambiguating the word, the problem becomes obvious.

Short-form social media really exacerbates the equivocation problem by encouraging people to be concise, which leads to accidental ambiguity. But social media also encourages people to take offense at someone else being wrong as the beginning of a ā€œconversationā€, which encourages people to use whatever definition of other peopleā€™s words makes them the wrongest.

Since Iā€™m already aware that copyright is a special interest of mine, I try to avoid falling into the trap of modeling everything in terms of copyright by default, Boss Baby style. But this is literally the case of a debate over who has the ā€œrightā€ to various ā€œusesā€ of things that are usually intangible ideas, so I think itā€™s unavoidably copyright time again.

āš– CDL: Publishers Against Books

Combining lending with digital technology is tricky to do within the constraints of copyright. But itā€™s important to still be able to lend, especially for libraries. With a system called Controlled Digital Lending, libraries like the Internet Archive (IA) made digital booklending work within the constraints of copyright, but publishers still want to shut it down. Itā€™s a particularly ghoulish example of companies rejecting copyright and instead pursuing their endless appetite for profit at the expense of everything worthwhile about the industry.