Factory games🔗

The Steam page describes The Last Clockwinder as a “VR puzzle-automation game.” I like production and automation games. But I’m used to FTB and Factorio and Zachtronics and Universal Paperclip. I’m used to the look automation-production games gravitate towards.

Factorio’s top-down design invites you to create sprawling factories that completely overtake the landscape. What little detail there is in the landscape is purely mechanical; resources you can extract and process, or enemies you have to either avoid or exploit for more resources.

Positioning the camera to give yourself a comfortable view of the structures you build and the items you’re manipulating leaves the actual character as a tiny focal point; more of a crosshair than a character or even an avatar.

Factorio scales enemy difficulty to “pollution” but this is always designed to be overcome, not be a legitimately limiting factor.

In Infinifactory, you’re captured by aliens and forced to engineer efficient factories in exchange for food pellets. Each puzzle takes place in a set of stark, desolate environments. It’s first-person, but you never directly interact with another character; the most you get are notes about how much your predecessors hated it.

As soon as you solve a puzzle, you’re presented with a histogram: how could you optimize your solution further? Could you be faster? Use fewer blocks? Are you better than your friends, or falling behind?

Universal Paperclip’s minimalist HTML interface makes it a graphical outlier, but the bare-metal minimally-styled HTML invokes a sense of brutalism that reenforces the game’s theme of efficiency in the pursuit of a goal to the exclusion of everything else.

And then there’s The Last Clockwinder.

The Last Clockwinder🔗

It’s undeniably hard sci-fi. The first thing you do is arrive in spaceship. Throughout the game you’re on the radio with your friend idling in orbit, and the whole story revolves around interplanetary travel.

But then the first thing you see is a tree-patio with a hammock. It almost feels like a treehouse. The purpose of the tree is archival and preservation of rare and culturally significant plants; it’s a reserve, and that’s what gives it such importance. Inside the tree is the one room you stay inside for the entire game, and it’s a living space.

Haptic feedback is really important🔗

Haptic feedback is really important. Even though it’s just vibration, the difference between feeling something and feeling nothing when you touch things is worlds. The vibration does a decent job of simulating the feeling of resistance and letting you “feel out” the world, which is very important in games where the alternative is getting your prop stuck in a shelf.

You can actually stream games and it works🔗

When I first saw that the recommended way to play PC games was over local wifi, I thought “no way. There’s no way you can get a high-quality video stream at that resolution with those latency requirements over wifi. I’m going to get a good USB cable and stream directly at 300 mbps and it’ll be excellent.” Turns out, no! With my (fairly normal) router, Virtual Desktop can stream a steady game at 1832x1920@60fps x2 over ~70 mbps with an imperceptible loss in quality. (Those numbers mean it’s good.) The connection is actually way more reliable than using the USB connection, and the Virtual Desktop app has a unified game launcher for both Rift and Steam which works great. If you look closely at dark areas you can see some artifacts, but in general I think this is a case where the video compression is extremely effective.